{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://moracollection.iccrom.org/iiif/manifest/en/40398","@type":"sc:Manifest","label":"Rome, San Pietro in Montorio: MRA-ITA-Rom342","rendering":{"@id":"https://moracollection.iccrom.org/oggetti/40398-rome-san-pietro-in-montorio-mra-ita-rom-342","format":"text/html","label":"Full record view"},"metadata":[{"label":"Sample ID","value":"MRA-ITA-Rom342"},{"label":"Other info about sample identity","value":"5 [number on the plastic holder]; 0141.0145 [hand-written note]"},{"label":"Site/monument","value":["Italy (ITA)","Rome","San Pietro in Montorio","Tempietto del Bramante"]},{"label":"Historical note about the site/monument","value":"The church of the Trinità dei Monti (Trinity of the Mounts) was built between 1494 and 1594 to house the French religious order of Minims under the initiative of French kings Louis XII and his son Charles VIII. It stands on a prominent position above the Spanish steps and is crowned with a pair of symmetrical bell towers designed by Giacomo della Porta and Carlo Maderno. The Chapel of the Assumption, also called Chapel of Lucrezia della Rovere (niece of Pope Julius III), was ceded in the mid-16<sup>th</sup> century and bears mural paintings by Daniele Ricciarelli da Volterra (and his pupils) and Gaspar Becerra. Executed in the years between 1548 and 1560, the paintings have a Mannerist style and depict scenes including the Assumption, the Massacre of the Innocents, The birth of the Virgin and the Coronation of Mary.<br /><br /><u>Source</u><u>:</u><br />\nWikipedia contributors. (2021, March 21). Trinità dei Monti. In <i>Wikipedia, The Free Encyclopedia</i>. Retrieved 10:08, May 16, 2021, from <a href=\"https://en.wikipedia.org/w/index.php?title=Trinit%C3%A0_dei_Monti&amp;oldid=1013472653\">https://en.wikipedia.org/w/index.php?title=Trinità_dei_Monti&amp;oldid=1013472653</a>.<br /><br />\nFelici, A. C., Fronterotta, G., Piacentini, M., Nicolais, C., Sciuti, S., Vendittelli, M., &amp; Vazio, C. (2004). The wall paintings in the former Refectory of the Trinità dei Monti convent in Rome: relating observations from restoration and archaeometric analyses to Andrea Pozzo’s own treatise on the art of mural painting. <i>Journal of cultural heritage</i>, <i>5</i>(1), 17-25."},{"label":"Chronological period (sample)","value":"16th century"},{"label":"Other info about sample provenance","value":"Subterranean Chapel, External staircase to lower chapel. Sample from rendered wall  [Report: Conservation study of Bramante's Tempietto, ICCROM Laboratory, Technical reports, 1995]"},{"label":"Sampling Location","value":"Subterranean Chapel- External staircase to lower chapel. Sample from rendered wall."},{"label":"Other related archival documents","value":"James Ashby, Michael Chambers, Harry Hautajarvi, Sheena Meagher, Vassilios Papageorgiou, 'Conservation study of Bramante's Tempietto'. ICCROM - ARC1995, Group Seminar ."},{"label":"Related samples","value":"This sample is related to samples from MRA-ITA-Rom338 to MRA-ITA-Rom341"},{"label":"Other information about the sample","value":"The samples were collected for material identification (section analytical research)"},{"label":"Other materials/notes (Material description)","value":"white salt efflorescence"},{"label":"Sample Material Type","value":"Salt"},{"label":"Sample Sub-type","value":"powder"},{"label":"Old Mora ID","value":"516"}],"sequences":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40398/sequence/normal","@type":"sc:Sequence","label":"Current Page Order","viewingHint":"individuals","canvases":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40398/canvas/20235","@type":"sc:Canvas","label":"1","width":2200,"height":2400,"images":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40398/annotation/20235","@type":"oa:Annotation","motivation":"sc:painting","on":"https://moracollection.iccrom.org/iiif/manifest/en/40398/canvas/20235","resource":{"@id":"https://iccrom.archiui.com/cataloga/media/iccrom/images/2/0/2/41143_ca_object_representations_media_20235_original.tiff","@type":"dctypes:Image","format":"image/jpeg","width":2200,"height":2400,"service":{"@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json","@id":"https://iiif.archiui.com/iiif/2/iccrom-images-2-0-2-41143_ca_object_representations_media_20235_original.tiff"}}}]},{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40398/canvas/21410","@type":"sc:Canvas","label":"2","width":1200,"height":465,"images":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40398/annotation/21410","@type":"oa:Annotation","motivation":"sc:painting","on":"https://moracollection.iccrom.org/iiif/manifest/en/40398/canvas/21410","resource":{"@id":"https://iccrom.archiui.com/cataloga/media/iccrom/images/2/1/4/96771_ca_object_representations_media_21410_original.jpg","@type":"dctypes:Image","format":"image/jpeg","width":1200,"height":465,"service":{"@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json","@id":"https://iiif.archiui.com/iiif/2/iccrom-images-2-1-4-96771_ca_object_representations_media_21410_original.jpg"}}}]},{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40398/canvas/21411","@type":"sc:Canvas","label":"3","width":399,"height":599,"images":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40398/annotation/21411","@type":"oa:Annotation","motivation":"sc:painting","on":"https://moracollection.iccrom.org/iiif/manifest/en/40398/canvas/21411","resource":{"@id":"https://iccrom.archiui.com/cataloga/media/iccrom/images/2/1/4/99935_ca_object_representations_media_21411_original.jpg","@type":"dctypes:Image","format":"image/jpeg","width":399,"height":599,"service":{"@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json","@id":"https://iiif.archiui.com/iiif/2/iccrom-images-2-1-4-99935_ca_object_representations_media_21411_original.jpg"}}}]}]}]}