{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://moracollection.iccrom.org/iiif/manifest/en/40399","@type":"sc:Manifest","label":"Rome, Trinità dei Monti: MRA-ITA-Rom343","rendering":{"@id":"https://moracollection.iccrom.org/oggetti/40399-rome-trinita-dei-monti-mra-ita-rom-343","format":"text/html","label":"Full record view"},"metadata":[{"label":"Sample ID","value":"MRA-ITA-Rom343"},{"label":"Other info about sample identity","value":"Pig.1: Azul 0120 [label glued to the plastic holder]"},{"label":"Site/monument","value":["Italy (ITA)","Rome","Trinità dei Monti","Chiesa della Santissima Trinità dei Monti, Cappella della Rovere"]},{"label":"Historical note about the site/monument","value":"The church of the Trinità dei Monti (Trinity of the Mounts) was built between 1494 and 1594 to house the French religious order of Minims under the initiative of French kings Louis XII and his son Charles VIII. It stands on a prominent position above the Spanish steps and is crowned with a pair of symmetrical bell towers designed by Giacomo della Porta and Carlo Maderno. The Chapel of the Assumption, also called Chapel of Lucrezia della Rovere (niece of Pope Julius III), was ceded in the mid-16<sup>th</sup> century and bears mural paintings by Daniele Ricciarelli da Volterra (and his pupils) and Gaspar Becerra. Executed in the years between 1548 and 1560, the paintings have a Mannerist style and depict scenes including the Assumption, the Massacre of the Innocents, The birth of the Virgin and the Coronation of Mary.<br /><br /><u>Source</u><u>:</u><br />\nWikipedia contributors. (2021, March 21). Trinità dei Monti. In <i>Wikipedia, The Free Encyclopedia</i>. Retrieved 10:08, May 16, 2021, from <a href=\"https://en.wikipedia.org/w/index.php?title=Trinit%C3%A0_dei_Monti&amp;oldid=1013472653\">https://en.wikipedia.org/w/index.php?title=Trinità_dei_Monti&amp;oldid=1013472653</a>.<br /><br />\nFelici, A. C., Fronterotta, G., Piacentini, M., Nicolais, C., Sciuti, S., Vendittelli, M., &amp; Vazio, C. (2004). The wall paintings in the former Refectory of the Trinità dei Monti convent in Rome: relating observations from restoration and archaeometric analyses to Andrea Pozzo’s own treatise on the art of mural painting. <i>Journal of cultural heritage</i>, <i>5</i>(1), 17-25."},{"label":"Chronological period (sample)","value":"16th century"},{"label":"Other info about sample provenance","value":"Chapel of Lucrezia della Rovere (The Birth of the Virgin by Gaspar Becerra, 1555)"},{"label":"Sampling Location","value":"The birth of the virgin-sector A2 (Amphore)"},{"label":"Other related archival documents","value":"Laboratory analysis form containing sample identification, description, type of analysis performed, and results [PDF: 1995_BMoreno_Trinita-Monti_Analysis].\r\nPhotograph showing the sampling location [Photo: 20190522_150121; PDF: Italy 1995_BMoreno_Trinita-Monti_Sampling]."},{"label":"Related samples","value":"MRA-ITA-Rom343, MRA-ITA-Rom345 to MRA-ITA-Rom350; MRA-ITA-Rom355, MRA-ITA-Rom356 and MRA-ITA-Rom358"},{"label":"Other information about the sample","value":"The sample was collected for pigment identification. Only traces of the original sample appear to remain."},{"label":"Sample Material Type","value":"Mural painting"},{"label":"Old Mora ID","value":"517"},{"label":"Storage Location","value":"ICCROM Laboratory, Room L13, C2, D42"},{"label":"Sample taken by","value":"Beatriz Moreno?"},{"label":"Sample Sub-type","value":"micro-fragment"}],"sequences":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40399/sequence/normal","@type":"sc:Sequence","label":"Current Page Order","viewingHint":"individuals","canvases":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40399/canvas/20236","@type":"sc:Canvas","label":"1","width":1600,"height":1500,"images":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40399/annotation/20236","@type":"oa:Annotation","motivation":"sc:painting","on":"https://moracollection.iccrom.org/iiif/manifest/en/40399/canvas/20236","resource":{"@id":"https://iccrom.archiui.com/cataloga/media/iccrom/images/2/0/2/59179_ca_object_representations_media_20236_original.tiff","@type":"dctypes:Image","format":"image/jpeg","width":1600,"height":1500,"service":{"@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json","@id":"https://iiif.archiui.com/iiif/2/iccrom-images-2-0-2-59179_ca_object_representations_media_20236_original.tiff"}}}]},{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40399/canvas/21412","@type":"sc:Canvas","label":"2","width":1199,"height":798,"images":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40399/annotation/21412","@type":"oa:Annotation","motivation":"sc:painting","on":"https://moracollection.iccrom.org/iiif/manifest/en/40399/canvas/21412","resource":{"@id":"https://iccrom.archiui.com/cataloga/media/iccrom/images/2/1/4/43047_ca_object_representations_media_21412_original.jpg","@type":"dctypes:Image","format":"image/jpeg","width":1199,"height":798,"service":{"@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json","@id":"https://iiif.archiui.com/iiif/2/iccrom-images-2-1-4-43047_ca_object_representations_media_21412_original.jpg"}}}]},{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40399/canvas/21413","@type":"sc:Canvas","label":"3","width":812,"height":552,"images":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40399/annotation/21413","@type":"oa:Annotation","motivation":"sc:painting","on":"https://moracollection.iccrom.org/iiif/manifest/en/40399/canvas/21413","resource":{"@id":"https://iccrom.archiui.com/cataloga/media/iccrom/images/2/1/4/13198_ca_object_representations_media_21413_original.jpg","@type":"dctypes:Image","format":"image/jpeg","width":812,"height":552,"service":{"@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json","@id":"https://iiif.archiui.com/iiif/2/iccrom-images-2-1-4-13198_ca_object_representations_media_21413_original.jpg"}}}]}]}]}