{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://moracollection.iccrom.org/iiif/manifest/en/40879","@type":"sc:Manifest","label":"Ihlara: MRA-TUR-Ihl002","rendering":{"@id":"https://moracollection.iccrom.org/oggetti/40879-ihlara-mra-tur-ihl-002","format":"text/html","label":"Full record view"},"metadata":[{"label":"Sample ID","value":"MRA-TUR-Ihl002"},{"label":"Old Mora ID","value":"1033"},{"label":"Other info about sample identity","value":"Old ID Ref.:TUR/V/1"},{"label":"Storage Location","value":"ICCROM Laboratory, Room L13, C5, D2"},{"label":"Related samples","value":"MRA-TUR-Ihl003 and MRA-TUR-Ihl004"},{"label":"State of Conservation of the Support","value":"Moderate (has some deterioration features such as lack of cohesion/adhesion) and ideally should not be removed from its holder\r\n"},{"label":"State of Conservation of the Finishing Layers","value":"\r\n"},{"label":"Site/monument","value":["Turkey (TUR)","Ihlara ","Yilanli Church"]},{"label":"Historical note about the site/monument","value":"

Yilanli church belongs to a subset of churches in Ihlara the Valley employing mural paintings of a local type, albeit with Persian and Syrian influences. The plan of the church, which was constructed in the late 9th century, is cross-in-square. It is decorated with a mural program roughly coeval with the creation of the church, and it is from a depiction of serpents in an image of hell on the narthex that the site takes its name. The subjects of the mural cycle include uncommon figures, such as the Rabbi Gamaliel, alongside more conventional themes including the Last Judgement and the Ascension. The church also includes a small burial room, with a frescoed arcosolium.

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Sources:

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https://en.wikipedia.org/wiki/Ihlara_valley

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https://www.cappadociahistory.com/post/snake-church-ihlara

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Further reading:

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Inomata, K., & Kijima, M. SPACIAL COMPOSITION OF CHRISTIAN PAINTINGS IN THE CAVE CHURCHES OF IHLARA VALLEY, CAPPADOCIA.

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