{"@context":"http://iiif.io/api/presentation/2/context.json","@id":"https://moracollection.iccrom.org/iiif/manifest/en/40924","@type":"sc:Manifest","label":"Göreme: MRA-TUR-Gor018","rendering":{"@id":"https://moracollection.iccrom.org/oggetti/40924-goreme-mra-tur-gor-018","format":"text/html","label":"Full record view"},"metadata":[{"label":"Sample ID","value":"MRA-TUR-Gor018"},{"label":"Other info about sample identity","value":"Old ID ef.:&nbsp;TUR/1995/3"},{"label":"Site/monument","value":["Turkey (TUR)","Göreme","Tokali Church"]},{"label":"Historical note about the site/monument","value":"<p align=\"left\" style=\"text-align:left; margin:0cm 0cm 6pt\"><span style=\"font-size:11pt\"><span style=\"font-family:Calibri,sans-serif\"><a name=\"_Hlk218780826\"><span lang=\"EN-GB\" style=\"font-family:&quot;Calibri Light&quot;,sans-serif\">Tokalı Kilise is composed of a complex of four interconnected churches&mdash;Old Tokalı, New Tokalı, the Lower Church, and the Side Church&mdash;together with a hermitage, all excavated in the volcanic rock of Cappadocia and dating primarily to the <b>10th and 11th centuries</b>. The hermitage consists of a simple, undecorated cell provided with a <b>hagioscope</b>, allowing visual access towards Old Tokalı and the icon displayed in New Tokalı. The churches are particularly notable for their extensive mural decoration, which presents a wide range of biblical narratives and hagiographic themes. Executed between the tenth and eleventh centuries, the frescoes display both so-called <b>&ldquo;provincial&rdquo;</b> and <b>&ldquo;metropolitan&rdquo;</b> stylistic features, reflecting differing artistic levels and patronage within the same complex. The individual churches can also be distinguished by their iconographic programmes: Old Tokalı is dominated by a Christological cycle, whereas New Tokalı focuses largely on the lives of saints, ecclesiastical figures, and martyrs. Major restoration campaigns carried out in the 1970s involved the cleaning and stabilisation of the wall paintings, and since 2011 ongoing maintenance and conservation have been undertaken through collaboration between Turkish authorities and Italian restoration teams.</span></a></span></span></p>\r\n\r\n<p align=\"left\" style=\"text-align:left; margin:0cm 0cm 6pt\"><span style=\"font-size:11pt\"><span style=\"font-family:Calibri,sans-serif\"><b><span lang=\"EN-GB\" style=\"font-family:&quot;Calibri Light&quot;,sans-serif\">Source</span></b><br />\r\n<span lang=\"EN-GB\" style=\"font-family:&quot;Calibri Light&quot;,sans-serif\">Epstein, A. W., Wharton, A. J., &amp; Schwartzbaum, P. M. (1986). <i>Tokalı Kilise: Tenth-Century Metropolitan Art in Byzantine Cappadocia</i>. Washington, D.C.: Dumbarton Oaks.</span></span></span></p>\r\n\r\n<p align=\"left\" style=\"text-align:left; margin:0cm 0cm 6pt\"><span style=\"font-size:11pt\"><span style=\"font-family:Calibri,sans-serif\"><b><span lang=\"EN-GB\" style=\"font-family:&quot;Calibri Light&quot;,sans-serif\">Further reading</span></b><br />\r\n<span lang=\"EN-GB\" style=\"font-family:&quot;Calibri Light&quot;,sans-serif\">Thierry, N., <i>La Cappadoce m&eacute;di&eacute;vale</i>; Rodley, L., <i>Cave Monasteries of Byzantine Cappadocia</i>; Ousterhout, R., <i>Master Builders of Byzantium</i>.</span></span></span></p>\r\n"},{"label":"Old Mora ID","value":"1078"},{"label":"Storage Location","value":" ICCROM Laboratory, Room L13, C5, D1 "},{"label":"Related samples","value":"MRA-TUR-Gor017?"},{"label":"Other information about the sample","value":"The cross-section was inside a plastic container labelled “Chiesa di Tokali, Cappadocia, Turchia. Fragment of mural painting.” Can it be linked to sample MRA-TUR-Gor017?"},{"label":"Sample Material Type","value":"Mural painting"},{"label":"Sample Sub-type","value":"cross section"}],"sequences":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40924/sequence/normal","@type":"sc:Sequence","label":"Current Page Order","viewingHint":"individuals","canvases":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40924/canvas/29253","@type":"sc:Canvas","label":"1","width":1503,"height":1692,"images":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40924/annotation/29253","@type":"oa:Annotation","motivation":"sc:painting","on":"https://moracollection.iccrom.org/iiif/manifest/en/40924/canvas/29253","resource":{"@id":"https://iccrom.archiui.com/cataloga/media/iccrom/images/2/9/2/82758_ca_object_representations_media_29253_original.tiff","@type":"dctypes:Image","format":"image/jpeg","width":1503,"height":1692,"service":{"@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json","@id":"https://iiif.archiui.com/iiif/2/iccrom-images-2-9-2-82758_ca_object_representations_media_29253_original.tiff"}}}]},{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40924/canvas/29254","@type":"sc:Canvas","label":"2","width":1504,"height":1693,"images":[{"@id":"https://moracollection.iccrom.org/iiif/manifest/en/40924/annotation/29254","@type":"oa:Annotation","motivation":"sc:painting","on":"https://moracollection.iccrom.org/iiif/manifest/en/40924/canvas/29254","resource":{"@id":"https://iccrom.archiui.com/cataloga/media/iccrom/images/2/9/2/52134_ca_object_representations_media_29254_original.tiff","@type":"dctypes:Image","format":"image/jpeg","width":1504,"height":1693,"service":{"@context":"http://iiif.io/api/image/2/context.json","profile":"http://iiif.io/api/image/2/level2.json","@id":"https://iiif.archiui.com/iiif/2/iccrom-images-2-9-2-52134_ca_object_representations_media_29254_original.tiff"}}}]}]}]}