Assisi: MRA-ITA-Ass014
Type Sample Item
Sample ID
- MRA-ITA-Ass014
Sample Material Type
- Mural painting
Sample Sub-type
- fragment
micro-fragment
Dimensions (cm)
- Length
- 1.4
- Width
- 1
- Height
- 0.3
- Notes
- first fragment on the left
Weight
- weight value (g)
- 1.3
- Notes
- all fragments together
Geographic Location
- Country
- Italy
- Place
- Assisi
Site/monument
- Italy (ITA)
Assisi
Basilica Papale di San Francesco
Historical note about the site/monument
- Basilica of Saint Francis (Italian: Basilica di San Francesco). The basilica’s construction began around the year 1228, when Francis of Assisi was canonized. Its Romanesque belfry was completed in 1239, and the basilica was consecrated in 1251. Following the designs of Master Jacopo Tedesco, it consists of an Upper Church, Lower Church, and crypt. The structure combines elements of Romanesque and Gothic styles. Both the Upper Church and Lower Church are decorated with frescoes, including a cycle (possibly by Giotto) illustrating the life of Francis of Assisi, works of Lorenzetti, and a painting of the Crucifixion by Cimabue. Frescoes dating to the 17th century and executed by Cesare Sermei and G. Martelli are also represented in the basilica.
Further reading:
Lunghi, E. (1996). The Basilica of St Francis at Assisi: The Frescoes by Giotto, His Precursors and Followers. Thames and Hudson. ISBN-10: 0500278342.
Bonsanti, G., G. Roli and S. Sartarelli (1998). The Basilica of St. Francis of Assisi: glory and destruction. New York, NY, USA: HN Abrams. ISBN-10: 0810927675.
Chronological period (sample)
- 17th century
Other info about sample provenance
- Assisi, Abside, Chiesa inferiore della Basilica di San Francesco, Cesare Sermei (1581-1668), Il Giudizio Finale (1623)
Date of sampling
- Unknown
- Yes
Other related archival documents
- [HYPOTHESIS] Hand written list with samples description and provenance. Fragments of mural paintings -removed from the restauro by Ann Stoves. April 1967 [ photo 20180803_113409].EB86: folder 07_Italy1967
Related samples
- This sample is related with sample MRA-ITA-Ass015
Other information about the sample
- [HYPOTHESIS] The samples were removed during restoration for analysis at the Courtauld Institute of Art.