ICCROM Mora Samples Collection
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Assisi: MRA-ITA-Ass028

Type Sample Item

Sample ID

MRA-ITA-Ass028

Sample Material Type

Mural painting

Sample Sub-type

fragment

Dimensions (cm)

Length
1
Width
0.8
Height
0.5

Weight

weight value (g)
0.4

Geographic Location

Country
Italy
Place
Assisi

Site/monument

Italy (ITA)
Assisi
Basilica Papale di San Francesco

Historical note about the site/monument

Basilica of Saint Francis (Italian: Basilica di San Francesco). The basilica’s construction began around the year 1228, when Francis of Assisi was canonized. Its Romanesque belfry was completed in 1239, and the basilica was consecrated in 1251. Following the designs of Master Jacopo Tedesco, it consists of an Upper Church, Lower Church, and crypt. The structure combines elements of Romanesque and Gothic styles. Both the Upper Church and Lower Church are decorated with frescoes, including a cycle (possibly by Giotto) illustrating the life of Francis of Assisi, works of Lorenzetti, and a painting of the Crucifixion by Cimabue. Frescoes dating to the 17th century and executed by Cesare Sermei and G. Martelli are also represented in the basilica.

Further reading:
Lunghi, E. (1996). The Basilica of St Francis at Assisi: The Frescoes by Giotto, His Precursors and Followers. Thames and Hudson. ISBN-10: 0500278342.
Bonsanti, G., G. Roli and S. Sartarelli (1998). The Basilica of St. Francis of Assisi: glory and destruction. New York, NY, USA: HN Abrams. ISBN-10: 0810927675.

Chronological period (sample)

13th century

Other info about sample provenance

 Assisi 70 Basilica Superiore, Frammenti caduti dalla volta [hand-written note]

Date of sampling

Unknown
Yes

Other related archival documents

[HYPOTHESIS] Hand written list with samples description and provenance. Fragments of mural paintings -removed from the restauro by Ann Stoves. April 1967 [ photo 20180803_113409].EB86: folder 07_Italy1967

Related samples

This sample is related to sample MRA-ITA-Ass027

Other information about the sample

[HYPOTHESIS] The samples were removed during restoration for analysis at the Courtauld Institute of Art.

Inventory