ICCROM Mora Samples Collection
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Codigoro: MRA-ITA-Cod004

Type Sample Item

Sample ID

MRA-ITA-Cod004

Sample Material Type

Mural painting

Sample Sub-type

fragment

Dimensions (cm)

Length
2.9
Width
2
Height
2

Weight

weight value (g)
6.2

Geographic Location

Country
Italy
Place
Codigoro

Site/monument

Italy (ITA)
Codigoro
Abbazia di Pomposa

Historical note about the site/monument

The Pomposa abbey is a Benedictine architectural ensemble including a church (the basilica of Santa Maria) with a bell tower, a monastery, and the Palace of Reason (Italian: Palazzo della Ragione). It was at Pomposa abbey that Guido d’Arezzo was educated and invented modern musical notation. The abbey’s basilica is a three-nave Romanesque structure dating to the 7th century (with significant alterations in the 11th century). Its interior is adorned with mosaic stone pavements (12th century) and frescoes by Vitale da Bologna and his assistants. Of the monastery itself only the chapter house, dormitory, and refectory have been preserved to the present day. In the chapter hall, visitors can admire 14th-century frescoes by one of Giotto’s pupils. The Palace of Reason was consecrated in 1026, although alterations to its façade were undertaken in the early 1930s. The bell tower, measuring 48 meters in height, was added in the latter half of the 12th century.

Further reading:
Addison, A. C., & Gaiani, M. (2000). Virtualized architectural heritage: New tools and techniques. IEEE multimedia7(2), 26-31.

Chronological period (sample)

7th-12th century

Other info about sample provenance

Pomposa, Refettorio; [...] Bologna, Scuola Riminese, Santa Maria Maggiore, Abside 1 frammento; 2 frammenti 300 [...] all'abside (pilastro navata sinistra) (Hand-written notes)

Sample taken by

_

Date of sampling

Unknown
Yes

Other related archival documents

Hand written list with samples description and provenance. Fragments of mural paintings -removed from the restauro by AnnStoves. April 1967 [ photo 20180803_113409],EB86: folder 07_Italy1967

Other information about the sample

The samples were removed from the restauro to be analysed at the Courtauld Istitute of Art

Inventory